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| Celebrity Café Spill out all you have about those celebrities who make our Relationships with The Famous pages. No bad or pornographic language please. |
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Steve McQueen became one of the greatest celebrity actors while I was in my teens and twenties. In 1953 McQueen appeared in his first film Girl On The Run; he had been studying acting in New York in 1952 at the age of 22. He starred in many famous films. The year I became a Baha’i, 1959, he was in Never So Few); in 1963 he was in The Great Escape and the year I pioneered to Australia, 1971, Le Mons. He died six months after I finally was treated for bi-polar disorder in 1980. McQueen was then aged 50 and I was 36. His films continued to be popular and reruns are often seen to this day on television.; in the half century from 1953 to 2003, McQueen has been a significant presence in the film industry, an anti-hero and “The King of Cool.” -Ron Price with thanks to SBS TV, “Steve McQueen: The Essence of Cool,” 7:30-9:05 p.m., 25 February 2007.
Did we enjoy you because of some repressed or unconscious desires? Or were our reasons more complex and contradictory? Was it some visceral combination of looking and hearing, enticements of voyeuristic sexual pleasure, or a spectator’s orienting and discovery, intriguing setting, narrative suspense, some structure of sympathy, empathy, a form of play & inevitable distraction?1 You’ve been around right from my late childhood and even now I see you on TV in reruns. Have you helped me organize my world through those creatures, those plays of invention, unconstrained imagination and fantasy that made you rich, then tragic and then dead? Do you flash upon my inward eye when in my bliss of solitude? Do you have any place at all in the recesses of my mind and heart? When I wander lonely as a cloud through life do you give me any shape, coherence or vividness? You excited with a flutter and dance for a time and then were gone. But, for a time, you cherished your daily life with2 a certain truth and gave it to us moment by moment on the screen. 1 Carl Plantinga, “Movie Pleasures and the Spectator’s Experience: toward A Cognitive Approach,” Film and Philosophy, Volume II, 1994. 2 The aim of William Wordsworth’s The Prelude was also expressed in these same words and more: “meditations passionate from deep recesses in man’s heart.” Ron Price 26 February 2007[8D] __________________ |
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| Thread | Thread Starter | Forum | Replies | Last Post |
| King of Swing | Ilmatar | Added | 1 | March 11th, 2008 04:38 AM |